Here at the Scientific Visualization Unit of the National Research Council in Pisa, Italy, we have been using Blender since 2008 for doing some very interesting bio-molecular visualization at the sub-cellular level. I myself joined the team just over 3 months ago, and am eager to share some of our work with the Blender community now that the Italian soccer team can stop embarrassing themselves in South Africa.
We use Blender to visualize protein motions and interactions, as well as making short animations that show the inside of a cell in a way that had never been seen with the unaided eye. Because one key focus of the project is scientific accuracy, a lot of time is spent to ensure that the visualization is not only nice-looking, but also scientifically accurate. The process involves using numerous third-party programs to convert the input data (atomic coordinates of a protein) into something Blender can read. We use Python extensively to help facilitate data conversion between different formats. The result is this video:
To really appreciate the video, it helps to understand the science going on behind it. If you are a bit lost, have a look at the explanatory note associated with the video. The video is made and rendered with Blender in 1080p HD, we also toyed with stereoscopic rendering with some very good result. You can download the HD stereo version from the SciVis site.
Currently, we are working to build an interactive protein viewer inside Blender. Using Blender 2.5 as the platform, we built an interface that will allow biologist to load a text description of any protein (a PDB file), and Blender will display the imported file in an intuitive interactive viewer. (As shown below)
Why Blender? Blender is especially suitable for this task for several reasons. Its python support allows us to accomplish a lot of custom features in relatively very little coding. Having a game engine and a physics engine built-in means we can use do realtime visualization all from one software package. Its open source nature allows us to easily modify (at least have access to) the source code if needed.
Above is our BioBlender interface for Blender 2.5. The protein on the right is MLCK backbone, a 1845 residue long protein.
There is still a lot of work to be done. Blender is currently having a hard time handling large proteins that contains thousands of amino acid groups, the interface turns sluggish with as the number of object increases. Surprisingly, the game engine performance is very fast, it manages to maintain 20fps on a laptop even with a fancy ambient occlusion shader.
Even though snow should be white, it doesn’t hurt to give it some tone to communicate the extreme coldness. Blue works well in this case.
Wow, the team is doing a great job with facial animation. This looks like a very somber scene, so it calls for some gloomy color. I also added a dark gradient from the top, anime style. Split toning is used to maintain the skintone while pushing the background to a cool blue. This is the classic ‘orange-teal’ Hollywood color palette that everyone’s using. Some love this, some hates this.
Here, our main character isn’t emphasized enough in this (what I assume would be) high motion scene due to the similarity in color. I added a warming filter to highlight Sintel to convey the classic warm-vs-cold, good-vs-evil, light-vs-dark concept.
Just added some warmth to make the image look a bit more organic and less CG.
